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This lecture addresses the potential links between AI and religious belief, which include the question of whether an artificial “superintelligence”, were one to arise, would be well-disposed towards us.
This lecture, based on a brand new book (Grow the Pie: How Great Companies Deliver Both Purpose and Profit), uses the highest-quality evidence to propose a new solution that works for both business and society, and a simple framework to put it into practice.
Diaghilev seemed to be the nemesis of traditional ballet, but he was ready to draw on the rigorous classical schooling of his dancers whenever it suited him.
This lecture examines the fascination surrounding works that are left unfinished at their composers’ deaths. It also looks at the urge that certain of us have to complete these uncompleted works, however unwisely and however unbidden.
We will trace the musical, visual and choreographical consequences of this new trend through several later Diaghilev ballets: Parade (Satie/Picasso), Chout (Prokofiev/Larionov), Le Pas d’Acier (Prokofiev/Yakulov).
The question “Will AI artefacts ever be conscious?” was raised by Turing seventy years ago, and will not go away even though no one quite knows what it means, nor how we would know they were conscious if they were.