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How might the study of the first 1,500 years of London's port history (encapsulating profound changes ranging from location, infrastructure and technology to variations in river levels) help when making predictions for the future?
In this final lecture, we will focus on one of the best-preserved Diaghilev productions, The Prodigal Son, a strikingly beautiful ballet by Prokofiev/Balanchine/Rouault.
Diaghilev seemed to be the nemesis of traditional ballet, but he was ready to draw on the rigorous classical schooling of his dancers whenever it suited him.