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On 17 August 1982, the first commercial CD was released. Digital recording and editing have changed the face of music by making recordings easy to originate and share. But has this affected musical quality, and what are the financial and artistic consequences?
Cinema’s original canons were based on a small number of works most highly esteemed by archivists and historians. But access to the history of film has been dramatically expanded by digital media, as have debates between those arguing from different premises.
Canons of taste and value in other media, such as literature, art and music, have been challenged in recent decades by proponents of sexual and ethnic equality.
For nearly seventy years, what might be called ‘the canon’ of greatest films has been arbitrated by an international poll of critics delivering a ‘ten best’ list every decade, published in the BFI’s Sight & Sound.
China’s media provide a window into the Chinese mind, as the country asserts itself in the world as a great power. What do Chinese people think is the purpose of life? What matters most to them? In what do they believe? How do officials and journalists explain their responsibilities?
Drones are changing the face of war in the 21st century for combatants and civilians. Today drones carry out targeted assassinations, bombings and intelligence-gathering, and the forces that deploy them aim to minimise the loss of life.
What is meant by ‘love’ between human and nonhuman animals? Why is sex with animals such a taboo? It is only in very recent years that some people have begun to undermine the absolute prohibition on zoosexuality. Are their arguments dangerous, perverted, or simply wrongheaded?
In 1920, Nellie Melba’s singing was transmitted to Europe and Newfoundland via the wireless. In 1922 the BBC began broadcasting, and from the outset sponsored new music and relayed outside broadcasts to the nation (and from 1932, to the world).