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In this final lecture, we will focus on one of the best-preserved Diaghilev productions, The Prodigal Son, a strikingly beautiful ballet by Prokofiev/Balanchine/Rouault.
How might the study of the first 1,500 years of London's port history (encapsulating profound changes ranging from location, infrastructure and technology to variations in river levels) help when making predictions for the future?
This lecture explores these notions through an examination of the film Silent Running (1972), which imagined gardens in space, in which the last remnants of Earth’s vegetation are preserved aboard gigantic spaceships.
This lecture looks at nineteenth-century fads involving stomachs, including the medical prescription of tapeworms that were supposed to live in a person’s stomach and “eat” food on their behalf.
Diaghilev seemed to be the nemesis of traditional ballet, but he was ready to draw on the rigorous classical schooling of his dancers whenever it suited him.