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How do the different versions reflect the politics and culture of their own particular times? What makes a good Carol movie? Is it truth to the original or is it something else?
Medieval England was proudly Catholic and ostentatiously loyal to Rome. But from the late sixteenth century until recent times – and even now – anti-Catholic prejudice has been a cornerstone of English and British identity.
In this talk we use mathematics to look at these flaws and answer associated questions (eg. voting trends and gerrymandering). For a bit of light relief we will see how the same principles work in the Eurovision Song Contest.
This lecture will survey this ‘black legend’ and ask what made it so enduring – and why some parts of the story, such as the Inquisition’s genocidal campaign against Spanish Jews, received so much less attention than others.
This series has argued that the origins of modern secularism lie in the age of the Renaissance. This last lecture will track that legacy down to the present.
The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove